![]() ![]() The lower rows of the upper and lower auditoriums have a presidency form, namely places reserved for important people. The lower part of the auditorium wedge is divided into 12 sections, while the upper part is divided into 22 sections. The two sub-sections are separated by a horizontal corridor for the movement of spectators (width 1.82 m.), the frieze. The auditorium is divided vertically into two unequal parts, the lower hollow or theatre and the upper theatre or epitheatre. During Roman times, the theatre (unlike many Greek theatres) did not suffer any modifications. The monument retains the characteristic tripartite structure of a Hellenistic theatre that has an theatron, orchestra, and skene. In the framework of the Epidaurus Festival, well-known Greek and foreign actors have appeared, including the Greek soprano Maria Callas, who performed Norma in 1960 and Médée in 1961. The theatre has been sporadically used to host major musical events. The Epidaurus Festival continues today and is carried out during the summer months. In 1955 they were established as an annual event for the presentation of ancient drama. Theatrical performances, in the framework of the organized festival, began again in 1954. Performances stopped due to World War II. It was played in 1938, directed by Dimitris Rontiris, starring Katina Paxinou and Eleni Papadaki. The first modern performance conducted at the theatre was Sophocles's tragedy Electra. Today, the monument attracts a large number of Greek and foreign visitors and is used for the performance of ancient drama plays. It was also used as a means to heal patients, since there was a belief that the observation of dramatic shows had positive effects on mental and physical health. At a maximum capacity of 13,000 to 14,000 spectators, the theatre hosted music, singing and dramatic games that were included in the worship of Asclepius. Pausanias praises the theatre for its symmetry and beauty. History Īccording to Pausanias, the ancient theatre was constructed at the end of the 4th century BC, circa 340-300 BCE, by the architect Polykleitos the Younger. Because of its exceptional architecture and aesthetics, the theatre was inscribed on the UNESCO World Heritage List in 1988 along with the Temple of Asclepius. Constructed in late 4th century BC, it is considered to be the most perfect ancient Greek theatre with regard to acoustics and aesthetics. ![]() It is built on the west side of Cynortion Mountain, near modern Lygourio, and belongs to the Epidaurus Municipality. (password protected contact for password).The Ancient Theatre of Epidaurus is a theatre in the Greek city of Epidaurus, located on the southeast end of the sanctuary dedicated to the ancient Greek God of medicine, Asclepius. Get more info about technical specifications of the theater The main entrance to the theater is on the third floor at the back of house right. There is also a door on the 2nd floor, downstage left, which is primarily used for exiting following performances. There is one emergency exit to the outside, downstage right, adjacent to the bottom of the house left aisle. Additionally there is limited space for extra handicapped or non-fixed seating on the 3rd floor level, house right of the control/projection booth. There is no fixed proscenium. The seating capacity includes six handicapped seats in Row “A”, which, when utilized, reduce non-handicapped seating to 319. The theater has a house of fixed, “stadium-style” seating for 325 and is considered an “end-on” or “box” theater meaning that the first row of seats is on the very downstage edge of the performance space with no raised performance space. The latter two allow for views of the Boston harbor. The shades are grouped in three sections: upstage wall, stage right wall, and house left wall. The windows along each of these walls have three architectural shade options - full blackout, translucent, and acoustic - which can be operated, via an automated control system, from a number of locations. The upstage, stage right, and house left walls of the theater are floor-to-ceiling glass. The playing area measures roughly 50 x 50 feet and has a bio-channel sprung floor covered with “Santa Maria” hardwood that is stained gray. The intimate setting and glass walls of the Barbara Lee Family Foundation Theater provide a spectacular view of Boston Harbor and make it an exciting space for performances.
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